
This right here is everything that is wrong with everything.
Literally. After years of searching for the thing that is most wrong/fucks up everything/creates a gender-yikes-of-a-culture, we have finally found it.
This is it, this is the worst.

This right here is everything that is wrong with everything.
Literally. After years of searching for the thing that is most wrong/fucks up everything/creates a gender-yikes-of-a-culture, we have finally found it.
This is it, this is the worst.
The Museum presents a new exhibit it looks to roll out in the coming weeks that contains exclusively photos of people at Ke-dollar-sign-ha “concerts”.
A pretty solid meme choice, don’t you agree?
The above photo summarizes why we Curators believe this would make for such a compelling and educationally-stimulating exhibition within our Museum walls.
Come back soon and often to find more #TheFacesofKe$haFans curations.
(via womanhouse)
New year, new reason to have strong feelings against the human being that is Ke-United-States-currency-symbol-ha.
Above is a photo from a snippet of an interview Keha did with Complex Magazine.
If you’ll notice, Complex tries to call her out saying “When you came up, people were comparing you to Uffie, saying you channeled her style - but seeing how your career took off and hers didn’t, do you feel vindicated?”
Kdhjdjfha’s response and the following question and answer make the Museum even prouder of the work we’ve done so far in keeping you updated on one of the lowest forms of human existence.
(via malb)
(Source: withoutcondition)
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The New York Times, in an article regarding Ke-dollar-sign-ha and her new extended version of her first album ‘Cannibal’. We’re not sure what to be more surprised about, the NY Times’ mention of the Museum Curators’ favorite Uffie, or the fact that they actually gave some positive-esque reviews of Ke-whatever-ha’s latest release. Either way, we salute the NY Times for its numerous journalistic attempts aimed at trying to appeal to younger audiences and/or hipsters. |
We’d like to welcome back Ke-dollar-sign-ha to the Museum today, who luckily for us has been absent from this Museum aka Wasteland of Entertainment for a while.
But fear not, Ke-U.S.-currency-symbol-ha is back and ready to be horrible to a whole new level.

We bring you to her latest iTunes chart-topping single, “We R Who We R”.
In case the name of the song doesn’t make you frustrated enough, get excited for this tidbit of information. In several interview and nonsuch, K-$$$-a has discussed the following:
Ke$ha wrote the song in the wake of the news that bullying had led to multiple suicides of gay youth. Kesha explained that she wanted the song to become a pride anthem; “I wanted to inspire people […] to be themselves. It’s a celebration of any sort of quirks or eccentricities.”
She elaborated, “I was really affected by the suicides that have been happening, having been subject to very public hatred [myself]. I have absolutely no idea how these kids felt. What I’m going through is nothing compared to what they had to go through. Just know things do get better and you need to celebrate who you are. Every weird thing about you is beautiful and makes life interesting. Hopefully the song really captures that emotion of celebrating who you are.”
Wow, so that’s kind of nice to hear… Ke-whocares-ha is finally doing something to promote good and justice and equality. How sweet of her to think of the recent gay suicides as she wrote yet another popelectrotrash tune.
Only one issue… the song was written by her and her scholarfest management in August - September, and was slated for a late October release.
The gay suicides started receiving national news about a week after Tyler Clementi’s death… the suicide happened on September 22nd. News headlines weren’t made until the very end of the month.
So basically, her whole blurb on how she had the gay community in mind was a huge lie. Perfect.
And in case you feel like maybe she’s somehow a prophet or did have some rainbow pride support going on in her writing of this tune, we suggest you consult the lyrics.
(The following analysis comes from our friends over at Vice Magazine’s ViceBlog):
Hot and dangerous
If you’re one of us, then roll with us
‘Cause we make the hipsters fall in love
And we’ve got hot-pants on enough
And yes of course because we’re running this town just like a club
And no, you don’t wanna mess with usCommentary: “So bullied teenage gays make hipsters fall in love? And wear hot pants? And run “this town just like a club”? Wait, does anyone run any town like a club? What does that even mean? And gays are dangerous? Is that some kind of AIDs thing? Because, if it is, that’s sort of offensive.”
We’re dancing like we’re dumb
Our bodies go numb
We’ll be forever young
You know we’re superstars
We are who we are!Commentary: ” “We’ll be forever young”? Seriously Kesha? In a song that’s (allegedly) about suicide you’re gonna go there?”
I’m just talkin’ truth
I’m telling you ’bout the shit we do
We’re sellin’ our clothes, sleepin’ in cars
Dressin’ it down, hittin’ on dudes (HARD!)Commentary: “So gays sell their clothes? And they sleep in cars? And aren’t you alienating lesbians a little with the “hittin’ on dudes” part?
Now, are we sure we’re talking about gays here and you didn’t just write another shitty song about partying and then change it at the last minute to get some free promo? Because if you did, then that’s kinda awful.”
So there you have it. Thanks again to ViceLand for providing us with some lyrical commentary, and for making the title of their article “Kesha on Gay $uicide”.
I dont really care where you live at
Just turn around boy and let me hit that
Don’t be a little bitch with your chit chat
Just show me where your dick’s at…
Stop ta-ta-talking that blah blah blah
Think you’ll be getting this?
Nah nah nah
Not in the back of my ca-a-ar
If you keep talking that blah blah blah blah blah
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“Music”, according to the radio / Billboard. The Museum is sorry that it’s not sorry about how much it despises Ke-dollar sign-ha. The Museum would like to remind you that her inclusion into the Museum does not validate her role in society in any way; instead, it only looks to exemplify how farcical she and her “product” really are. The Museum would also like to acknowledge that she is hardly to blame. For it is ultimately the values and likings of popular culture that have accepted her “product” as enjoyable and marketable in the mainstream. So congratulations, people everywhere, for endorsing cultural rape via Ke-U.S. monetary symbol-ha. |

The name of this drinking establishment is called Group Therapy. Let us deconstruct this:
This is very funny. This is funny because of its witty perceptiveness and “what can ya do”/”welp” honesty. This is funny as it illustrates the concept of relating alcoholic consumption in public to something that is ultimately a necessary, constructive and transformative group bonding experience. This is funny because its relatable.
This is very sad. This is sad because of its direct comparison of mental health professional treatment to “getting shwasted”. This is sad as it further propagates the notion that chugging beer with your buddies is a wholesome and therapeutic activity, similarly relating to the “I Love College” / “brush my teeth with a bottle of Jack” ideals of humanity. This is sad because its relatable.
(via juliasegal)
The above video is merely an advertisement.
The above video is merely suggesting that you buy Ke-dollar-sign-ha merch.
The above video is merely implying that Ke-dollar-sign-ha will “maybe make out with you” if you purchase this rad t-shirt.
The above video is merely the product of worthless fame, eternal shame, and above all, mainstream at its lowest and least tolerable form.
The above video is merely reason enough to get out of America before its too late.
The above video is merely Ke$ha.
The following video is incorrect… her name is pronounced Ke-dollar-sign-ha.
The Museum warns that it might have to shut itself down for a few days to lament over this unfortunate human being.
| — | Paul Lester of the Guardian on LIFE IS DEAD AS LIFE ITSELF |